|Every shaded county had both a community college and a Visiting Artist.|
|Found this book at my local library in Carteret Cty,|
which is still home to at least 2 of its Visiting Artists.
1. There was a time in NC that we were ahead of the pack, both artistically and educationally.
We had leaders at all levels--from state senators and representatives to local community college presidents and all the arts councils--who understood the INTRINSIC VALUE OF ARTS TO A COMMUNITY. That simply breathing the same cultural air, being exposed every day, having the art imbued in the neighborhood was beneficial to the community.
2. The very nature of the expectations of the working artists still impact NC today.
In my own field of theater, looking at the list of Drama/Directing/Playwriting Visiting Artists, there are so many who remained in NC. They resuscitated or formed out of whole cloth new theater companies or performances that are indelible to what the theater community is today across the state. To name but one of many: Haskill Fitz-Simons, long-time and beloved Artistic Director at Raleigh Little Theater, was the first Drama Visiting Artist at Vance-Granville Community College.
And I'd imagine that all of the other artistic disciplines can recount similar stories. The public art in communities, the pride of place that bubbles over in residents when they talk about such things, so many of these are direct outcomes of the VAP.
3. No one can accomplish this artistic immersion alone.
Try as we might. This program took the time and talent of so many people. It was truly a mini-system functioning in the greater cultural eco-system here in NC. The set-up through the community colleges; the screening by the state arts council; the community hosting with the local arts council; the sponsorship by the local community coordinator; the advertising throughout the country for artists; the residents welcoming in the artists; the artists willing to take a chance to help not only themselves but also a new home.
Today we struggle to get our arts message heard over a million different causes, each of them good and honest and important in their own right. Add to that the number of people who won't hear above the din of the television and the people who simply haven't been given a reason to care, and it makes arts advocacy that much more difficult.
At one point, everyone in the state had a reason to care. If it happened once, I have to hope it can happen again.
*Yes, I do realize that "culture" is a lot more than artistic expression.